Category Archives: World of Ice and Fire

By Popular Demand: Machiavellianism for a Purpose

550 Years Since Niccolo Machiavelli Was Born—How to Check How Machiavellian  You Are

Introduction:

“In the Game of Thrones, you win or you die.” – much of the fandom seems to internalize the cynical logic that ruthlessness is the prime determinant of success. We can see this most vividly in the “Stupid Ned” meme, where the doomed protagonist of the first book of A Song of Ice and Fire (ASOIAF) is mocked for his hapless naiveté in the midst of King’s Landing’s “nest of vipers.”

But is it accurate that ruthlessness, pure and simple, is the key to victory and survival in Westeros? The thesis of this essay is, in so far as we can take success or failure in the narrative of ASOIAF as a hint to George R.R Martin’s own political theorizing, that this is not the case. An idealistic attachment to codes of honorable behavior can trip up politicians who fail to guard themselves from the unethical, but it’s also the case that those who embrace Machiavellianism for Machiavellianism’ sake ultimately find their achievements last no longer than their ability to inspire fear. More lasting success ultimately comes from those who can marry pragmatism in their methods to an overarching purpose that can inspire the hearts and minds of Westerosi.

After all, if brutality was the only measure of a prince, why is it that the blood-soaked Maegor the Cruel reigned for only six years, failed to sire an heir, and ended up murdered on his own throne, while the peaceful Jaehaerys the Conciliator ruled for over fifty years, sired the Targaryen dynasty, and is remembered three hundred years later as the best of kings?

“What a Wonderful Knight for a Mystery”

Mystery knight - A Wiki of Ice and Fire
Credit to Marc Simonetti

For the ASOIAF essayist, Mystery Knight places us in the slightly odd position of having to analyze a short story that is simultaneously the third and concluding part of a trilogy (and thus of particular significance), and merely one part of a series. As GRRM has said repeatedly, he intends to write “eight, nine, ten, twelve novellas” covering all of Dunk and Egg’s time together from their first encounter in Hedge Knight to their deaths at Summerhall. This latter perspective would seem to make Mystery Knight a relatively minor episode in a longer, more complicated character arc.

However, I would argue that Mystery Knight is still worth spending some time on, because it is GRRM’s longest and most involved discussion of Bloodraven’s time as Hand of the King, and thus an important part of our understanding of how royal government functions and malfunctions.

RFTIT Tumblr Weeklyish Roundup

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Hello, folks! Sam III is now done, and while work will begin on Arya IX as soon as possible, the beginning of the Fall semester and teaching a brand-new class no less, means that it’s not going to be ready next week.

In the mean-time, though, we’ve got some good stuff on the Tumblrs!

ASOIAF:

Non-ASOIAF:

 

Guest Appearance on Ranking Thrones

Hey, folks! A couple of weeks ago, I recorded another podcast with JSLAL and James Kelly at Ranking Thrones, where we compared the first Blackfyre Rebellion and Robert’s Rebellion, to tease out why one succeeded and the other failed.

Have a listen!

RFTIT Tumblr Weeklyish Roundup

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Hey folks! Now that the Catelyn V saga is done, next up is Sam III, a lovely little ghost story. But to tide you over until that’s ready, we’ve got some good stuff on the Tumblrs:

ASOIAF:

Non-ASOIAF:

Patreon Questions:

  • “If the novels gave us a POV for Podrick Payne, how would his view of events like the siege of King’s Landing, Tyrion’s trial and the search in the Riverlands presumably differ from Tyrion, Sansa and Brienne. 2. Were exiled royals like Jalabhar Xho or Dany common? How did they make a living? Any guess, why Martin invented the character of Jalabhar Xho?”
  • Well, I imagine his view of the Battle of the Blackwater would be rather similar to Tyrion’s, since he was by Tyrion’s side; Sansa wasn’t around for the trial, so there’s not a comparison there; hard to say vis-a-vis Brienne.
  • See here. Probably just for A. world-building so the Summer Isles don’t come out of nowhere later, and B. because people like him were not uncommon in royal courts in the periods Martin was drawing on for inspiration.

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RFTIT Tumblr Weeklyish Roundup

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(Beginning to think I should rename these to Fortnightly Roundups, but I feel like that would be an SEO problem…) Hey folks! So with Part I of Catelyn V in the can, work now begins on Part II, and I’m already up to 1,000 words, so with any luck you’ll all get to see the second half very shortly.

In the mean-time though, we’ve got some really good stuff on the Tumblrs.

ASOIAF;

Non-ASOiAF:

 

RFTIT Tumblr Weeklyish Roundup (Part I)

Hello everyone! Now that the behemoth of that PHOMU essay is done, I’m looking forwards to getting back into ASOIAF. My plan is to do nothing but ASOS chapters until I hit the Red Wedding with Catelyn VI, at which point I’ll take a quick break with Dunk & Egg III.

However, in the two weeks that PHOMU #18 took to complete – I actually started writing it in 2018, and it ended up being PHOMU #15 and a future essay as well b/c I was originally trying to do too much in one go – I’ve built up a LOT of good stuff on the Tumblrs.

So much so that I’m splitting it into two posts!

ASOIAF:

Non-ASOIAF:

Patrons:

  • “What are your thoughts on Rhaegar Targaryen? Wise prince, romantic fool, crazy rapist or fatalistic slave of prophecy?”
  • I think GRRM is way too much of a romantic not to have Rhaegar be sincerely in love with Lyanna; that doesn’t mean that their relationship wasn’t incredibly Problematic by modern standards (age gap, power differentials, etc.) but to a certain extent that’s already baked into Arthurian romances. I don’t like the phrase “slave of prophecy,” because it minimizes Rhaegar’s agency and responsibility for his actions. Instead, I think Rhaegar was something like Stannis vis-a-vis prophecy; someone who thought that saving the world would justify any action on his part. 
  • “I was wondering, what your thoughts are on the story behind the Black Swan (Lady Johanna Swann)? It seems like GRRM borrowed from stories of the Barbary slave raids, but from what little is out there, I get the impression there’s more to the story; it seems like her kidnapping was the catalyst for Daemon Targaryen’s invasion of the Stepstones, but nobody ever actually seemed to try to ransom or rescue her after the initial request, she somehow rises to control Lys and then the Three Daughters’ alliance winds up falling apart due to jealousy over her. And do you think her story has any relevance to the ongoing plots in the novels?”
  • I’m going to try to make this trip back to Fire & Blood a short one. I agree that GRRM is borrowing from the sensationalized accounts of the Barbary Pirates that were quite common in 19th century adventure/Orientalist literature, but also from any number of individuals whose mistreatment was used as a casus belli: Jenkins’ ear, the Black Hole of Calcutta, etc. As to Johanna Swann herserlf, I would say any number of femme fatales from history would work. If there is any relevance for ASOIAF, I’d say maybe the Black Pearl and the Braavosi election, but I’m skeptical.

 

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RFTIT Tumblr Weeklyish Roundup

Hey folks! Still not sure what my next project is, now that the Bear Pit extravaganza is done, but it’ll either be Catelyn V or a People’s History of the Marvel Universe essay (b/c I kind of miss writing those).

Regardless, I’ve got some really good stuff on the Tumblrs that has built up while I was working on Jaime VI.

ASOIAF:

Non-ASOIAF:

Patrons:

  • A non-ASOIAF-question: I just finished the Netflix-Series “The Witcher” starring Henry Cavill, and I was wondering, if you happen to be familiar with the Witcher-franchise (books, games, etc), what are your thoughts on the general themes?
  • I am somewhat familiar – I’ve watched Let’s Plays of most of the Witcher III and I’ve read several of the books but stopped partway through. I have to say, I kind of like the Witcher more when it’s doing fantasy noir detective than when it’s doing epic fantasy. There is some interesting stuff going on about the complications of inter-ethnic conflict: Nilfgaard being imperial conquerors but also more tolerant of non-humans, Redania being a center of resistance against imperialism but also an instigator of witch-hunts, etc. As someone who lost patience with the books, I’m not sure the author stuck the landing with pretty charged themes like those.

 

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